Abstraction / Animation / Music

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Absolut Panushka

Absolut Panushka Articles Visual Music 

Young Oskar

February 3, 2006 J-Walt 0 Comment abstract animation, animation, experimental animation, live performance, lumia, music videos, synesthesia, visual music, vj

Absolut Panushka, Jan-Apr 1997. In the spring of 1921, when Walter Ruttmann was rehearsing his Opus Nr. 1 with the

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Absolut Panushka Articles Visual Music 

Absolut Panushka

November 27, 2005July 1, 2016 J-Walt 0 Comment absolut vodka, absolute panushka, abstract animation, animation, experimental animation, historical, history, live performance, lumia, music videos, panushka, synesthesia, visual music, vj

 The links below lead to the visual-music-related articles from Absolut Panushka, a web site that promoted the history and practice of experimental

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Absolut Panushka Articles Techniques Visual Music 

Traditional Animation

October 26, 2005 J-Walt 0 Comment Absolut Panushka, abstract animation, animation, experimental animation, live performance, lumia, music videos, synesthesia, techniques, traditional animation, visual music, vj

Absolut Panushka, Jan-Apr 1997. Traditional Animation From the beginning of this art form, animators have drawn or painted thousands of

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Absolut Panushka Techniques Visual Music 

Stop Motion

October 26, 2005 J-Walt 0 Comment Absolut Panushka, abstract animation, animation, Dr. William Moritz, experimental animation, live performance, lumia, music videos, synesthesia, technique, visual music, vj

Absolut Panushka, Jan-Apr 1997. William Moritz Stop motion is a term used to describe the single-frame filming of live or

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Absolut Panushka Techniques Visual Music 

Oil Wipe

October 26, 2005 J-Walt 0 Comment abstract animation, animation, experimental animation, live performance, lumia, music videos, oil, oil wipe, synesthesia, technique, techniques, visual music, vj

Absolut Panushka, Jan-Apr 1997. Oil Wipe The oil wipe screen is a relatively obscure animation tool. It uses a backlit

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Absolut Panushka Techniques Visual Music 

Under The Camera

October 26, 2005 J-Walt 0 Comment Absolut Panushka, abstract animation, animation, article, Dr. William Moritz, experimental animation, history, live performance, lumia, music videos, synesthesia, technique, visual music, vj

Absolut Panushka, Jan-Apr 1997. Cutout Replacement, Jointed-Figure, Sand and Paint on Glass Many animators work “straight ahead” or under the

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Absolut Panushka Articles Visual Music 

Dirty Laundry

January 12, 2005 J-Walt 0 Comment abstract animation, animation, experimental animation, live performance, lumia, music videos, synesthesia, visual music, vj

Absolut Panushka, Jan-Apr 1997. In 1948, after completing a number of abstract films, Dwinell Grant asked the Baroness Hilla von

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Absolut Panushka Articles Visual Music 

Seeing Sound

January 12, 2005 J-Walt 0 Comment abstract animation, animation, experimental animation, live performance, lumia, music videos, synesthesia, visual music, vj

Absolut Panushka, Jan-Apr 1997. Seeing Sound Mary Ellen Bute was a painter who longed to have her abstract color images

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Absolut Panushka Articles Visual Music 

New York Nexus

January 12, 2005 J-Walt 0 Comment abstract animation, animation, experimental animation, live performance, lumia, music videos, synesthesia, visual music, vj

Absolut Panushka, Jan-Apr 1997. New York was the scene of an explosion of experimental animation in the 1970s. Many animators

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Absolut Panushka Articles Visual Music 

Morph Man

January 12, 2005 J-Walt 0 Comment abstract animation, animation, experimental animation, live performance, lumia, music videos, synesthesia, visual music, vj

Absolut Panushka, Jan-Apr 1997. Like Frédéric Back, Lejf Marcussen was a graphic artist who joined a government agency as a

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About the iotaCenter

iota is a public benefit, non-profit arts organization founded in 1994. Our mission is to inspire both new and existing artists in a historically dispersed and constantly changing technological environment. We aim to do this by foregrounding and contextualizing historically underrepresented experimental works, enriching current scholarly and academic inquiry into the artists and works in our collection, and providing our community of patrons with a foundation with which to a) study historical work and b) create new work. In other words, the end of one work’s life cycle can inspire the beginning of another. Read More

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