James Whitney Retrospective
Toronto International Animation Festival, 1984 James Whitney Retrospective Dr. William Moritz Regular feature films share their narrative impulse with theatrical
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Visual Music
Absolut Panushka, Jan-Apr 1997. While Walter Ruttmann and Oskar Fischinger experimented with animation, other artists in Germany also toyed with
Read moreJordan Belson Biography
L’art du Mouvement 1919-1996, 1996. Jordan Belson Biography Dr. William Moritz Jordan Belson studied painting before seeing Oskar Fischinger and
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Animation Journal, Spring 1999. Jordan Belson, Last of the Great Masters Dr. William Moritz Jordan Belson is the last of
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Film as Film, Formal Experiment in Film, 1910 – 1975, 1979. Non-Objective Film: The Second Generation William Moritz Wholly non-objective
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L’art du Mouvement 1919-1996, 1996. Oskar Fischinger Biography Dr. William Moritz Oskar Fischinger is correctly celebrated as the master of
Read moreNine Trips and a Travelogue: The iotaCenter and Melnitz Movies Present Contemporary Visual Music by Los Angeles Artists
Nine Trips and a Travelogue: The iotaCenter and Melnitz Movies Present Contemporary Visual Music by Los Angeles Artists Victoria Meng
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Oskar Goes Hollywood
Absolut Panushka, Jan-Apr 1997. Oskar Goes Hollywood Paramount pampered Oskar Fischinger, providing him with a bilingual secretary, English lessons, driving
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Trial and Error
Absolut Panushka, Jan-Apr 1997. Trial and Error Students at California Institute of the Arts in Los Angeles are encouraged to
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A White Wait
Absolut Panushka, Jan-Apr 1997. A White Wait James Whitney purposely rested for a year or more between his films —
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