Absolute Animation
The first surviving experimental animation film is the work of Walter Ruttmann, who had studied both music and painting at
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Dr. William Moritz
References
Books Online Expanded Cinema by Gene Youngblood. Hosted by Vasulka.org. Light Moving in Time by William C. Wees. Chapter 6-
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The William Moritz Project
“I believe mankind has an innate urge towards Visual Music.” Dr. William Moritz (1941-2004) Dr. William Moritz was the
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Restoring the Aesthetics of Early Abstract Films – SAF
Swedish Avantgarde Film 1924-1990, 1991. Restoring the Aesthetics of Early Abstract Films Dr. William Moritz Critical writing about the abstract
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The William Moritz Project Abstract Films of the 20s The Importance of Being Fischinger You Can’t Get Then from Now
Read moreThe Dream of Color Music and the Machines that Made it Possible
Animation World Magazine Vol2, No1, April 1997 The Dream of Color Music and the Machines that Made it Possible Dr.
Read moreFischinger at Disney, or Oskar in the Mousetrap
Dr. William Moritz Millimeter, 1977. The Disney Corporation’s official account of the origins and making of Fantasia has appeared many
Read moreRestoring the Aesthetics of Early Abstract Films – ARAS
A Reader in Animation Studies, 1997. Dr. William Moritz Critical writing about the abstract films of the 1920s is generally
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The Alchemist
Absolut Panushka, Jan-Apr 1997. After Solomon Guggenheim died, the board of directors ousted the Baroness Hilla von Rebay from her
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Vortex Concerts
Absolut Panushka, Jan-Apr 1997. In 1957 the composer Henry Jacobs convinced the Morrison Planetarium in San Francisco to let him
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