Tinting, Toning and Hand-Tinting
Absolut Panushka, Jan-Apr 1997. Tinting, Toning and Hand-Tinting These were three coloring methods for black-and-white film commonly used in the
Read moreAbsolut Panushka, Jan-Apr 1997. Tinting, Toning and Hand-Tinting These were three coloring methods for black-and-white film commonly used in the
Read moreCartoons: One Hundred Years of Cinema Animation, 1991 The Enigma of Hy Hirsh Giannalberto Bendazzi Born in 1911 in Chicago,
Read moreAbsolut Panushka, Jan-Apr 1997. The Graduates Judging by its alumni, California Institute of the Arts in Los Angeles can boast
Read moreAbsolut Panushka, Jan-Apr 1997. A Meditation Story James Whitney returned to filmmaking in the 1950s, partly because of a resolution
Read moreAbsolut Panushka, Jan-Apr 1997. Oskar Goes Hollywood Paramount pampered Oskar Fischinger, providing him with a bilingual secretary, English lessons, driving
Read moreAbsolut Panushka, Jan-Apr 1997. Trial and Error Students at California Institute of the Arts in Los Angeles are encouraged to
Read moreAbsolut Panushka, Jan-Apr 1997. A White Wait James Whitney purposely rested for a year or more between his films —
Read moreOttawa International Animated Film Festival Program, 1976. The Importance of Being Fischinger Dr. William Moritz The absolute, external facts of
Read moreCardiff International Animation Festival program, 1994. Jules Engel, Post-Modernist Dr. William Moritz Jules Engel’s films, uniquely among the leading exponents
Read moreKinetica 2 Catalog, 2000 Influence and Inspiration: The Great Tradition of Visual Music Dr. William Moritz Inspiration (from the Latin
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