Digital Daddy
Absolut Panushka, Jan-Apr 1997. Experimental animators in the 1960s and 1970s led the way in developing computer graphics, but the
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Dirty Laundry
Absolut Panushka, Jan-Apr 1997. In 1948, after completing a number of abstract films, Dwinell Grant asked the Baroness Hilla von
Read moreMaking The Soul Visible
in the Kinetica 4 program William Moritz Oskar Fischinger, with his brilliant film Motion Painting No. 1, inspired a whole
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German Gumbo
Absolut Panushka, Jan-Apr 1997. Animation thrived in both East and West Germany, but it did not receive international attention until
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New York Nexus
Absolut Panushka, Jan-Apr 1997. New York was the scene of an explosion of experimental animation in the 1970s. Many animators
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Seeing Sound
Absolut Panushka, Jan-Apr 1997. Seeing Sound Mary Ellen Bute was a painter who longed to have her abstract color images
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A Visual Process
Absolut Panushka, Jan-Apr 1997. A Visual Process Basque artist José Antonio Sistiaga has specialized in painting abstract images directly on
Read moreSome Observations on Non-Objective and Non-Linear Animation
Storytelling in Animation, 1988. Some Observations on Non-Objective and Non-Linear Animation William Moritz No animation film that is not non-objective
Read moreThe Abstract, The Spiritual and The Psychedelic
Kinetica™ 4 Catalog, 2002 Media Art in the 60s: The Abstract, The Spiritual and The Psychedelic Larry Cuba Our last
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