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visual music

Absolut Panushka Articles Visual Music 

A Meditation Story

January 12, 2016July 2, 2016 J-Walt 0 Comment abstract animation, animation, experimental animation, live performance, lumia, music videos, synesthesia, visual music, vj

Absolut Panushka, Jan-Apr 1997. A Meditation Story James Whitney returned to filmmaking in the 1950s, partly because of a resolution

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Absolut Panushka Articles Visual Music 

Oskar Goes Hollywood

January 12, 2016July 2, 2016 J-Walt 0 Comment abstract animation, animation, experimental animation, live performance, lumia, music videos, synesthesia, visual music, vj

Absolut Panushka, Jan-Apr 1997. Oskar Goes Hollywood Paramount pampered Oskar Fischinger, providing him with a bilingual secretary, English lessons, driving

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Absolut Panushka Articles Visual Music 

A White Wait

January 12, 2016 J-Walt 0 Comment abstract animation, animation, experimental animation, live performance, lumia, music videos, synesthesia, visual music, vj

Absolut Panushka, Jan-Apr 1997. A White Wait James Whitney purposely rested for a year or more between his films —

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Articles Visual Music 

The Importance of Being Fischinger

January 12, 2016 J-Walt 0 Comment abstract animation, animation, experimental animation, live performance, lumia, music videos, synesthesia, visual music, vj

Ottawa International Animated Film Festival Program, 1976. The Importance of Being Fischinger Dr. William Moritz The absolute, external facts of

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Articles Visual Music 

Jules Engel, Post-Modernist

January 12, 2016 J-Walt 0 Comment abstract animation, animation, experimental animation, live performance, lumia, music videos, synesthesia, visual music, vj

Cardiff International Animation Festival program, 1994. Jules Engel, Post-Modernist Dr. William Moritz Jules Engel’s films, uniquely among the leading exponents

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Articles Visual Music 

Influence and Inspiration: The Great Tradition of Visual Music

January 12, 2016 J-Walt 0 Comment abstract animation, animation, experimental animation, live performance, lumia, music videos, synesthesia, visual music, vj

Kinetica 2 Catalog, 2000 Influence and Inspiration: The Great Tradition of Visual Music Dr. William Moritz Inspiration (from the Latin

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Articles Visual Music 

Towards an Aesthetic of Visual Music

January 12, 2016 J-Walt 0 Comment abstract animation, animation, experimental animation, live performance, lumia, music videos, synesthesia, visual music, vj

ASIFA Canada Bulletin, 1986. Towards an Aesthetic of Visual Music William Moritz Now that the MTV phenomenon has made it

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Articles Visual Music 

James Whitney Retrospective

January 12, 2016 J-Walt 0 Comment abstract animation, animation, experimental animation, live performance, lumia, music videos, synesthesia, visual music, vj

Toronto International Animation Festival, 1984 James Whitney Retrospective Dr. William Moritz Regular feature films share their narrative impulse with theatrical

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Artists 

Jules Engel

January 12, 2016 J-Walt 0 Comment abstract animation, animation, artists, experimental animation, visual music

 Jules Engel Susan Ehrlich “Turning the Tide: Early Los Angeles Modernists 1920-1950”, 1990. Painter, filmmaker, sculptor, and teacher. Jules Engel

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Articles Visual Music 

Kathy Smith

January 12, 2016 J-Walt 0 Comment abstract animation, animation, experimental animation, live performance, lumia, music videos, synesthesia, visual music, vj

Kathy Smith William Moritz Kathy Smith is one of Australia’s top animators. She studied at the Sydney College of the

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SCREENING and DISCUSSION with FESTIVAL DIRECTOR NOEL PALAZZO THURSDAY, MARCH 23, 8PM.     We are excited to announce the next

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iotaSalon, LA (4/30/2016): “EYECANDY”

March 30, 2016 Paul Shepherd 0
iotaSalon International Animation Film Festival ANIMATOR in Poland
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iotaSalon International Animation Film Festival ANIMATOR in Poland

February 12, 2015 J-Walt 0
Robert Darroll Retrospective
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Robert Darroll Retrospective

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About the iotaCenter

iota is a public benefit, non-profit arts organization founded in 1994. Our mission is to inspire both new and existing artists in a historically dispersed and constantly changing technological environment. We aim to do this by foregrounding and contextualizing historically underrepresented experimental works, enriching current scholarly and academic inquiry into the artists and works in our collection, and providing our community of patrons with a foundation with which to a) study historical work and b) create new work. In other words, the end of one work’s life cycle can inspire the beginning of another. Read More

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