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direct manipulation

Articles Visual Music 

Painting on Film

October 26, 2005 J-Walt 0 Comment abstract animation, animation, cameraless animation, direct film, direct manipulation, experimental animation, hand painted film, music videos, paint on film, visual music

Absolut Panushka, Jan-Apr 1997. Animation has a history that goes back much further than celluloid film. In the 19th century,

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Articles Visual Music 

The Italians Who Invented the Drawn-On Film Technique

August 25, 2005 J-Walt 0 Comment abstract animation, animation, article, cinema, direct manipulation, experimental animation, hand painted film, history, info, information, italian, italy, live performance, lumia, music videos, scratch on film, synesthesia, visual music, vj

 Giannalberto Bendazzi unknown Although the work of Arnaldo Ginna and Bruno Corra in the field of abstract animation has been

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Events

iotaSalon, LA (03/23/2017): THE BEST OF PUNTO Y RAYA FESTIVAL
Events News What We Do 

iotaSalon, LA (03/23/2017): THE BEST OF PUNTO Y RAYA FESTIVAL

March 2, 2017 Danielle Parsons Comments Off on iotaSalon, LA (03/23/2017): THE BEST OF PUNTO Y RAYA FESTIVAL

SCREENING and DISCUSSION with FESTIVAL DIRECTOR NOEL PALAZZO THURSDAY, MARCH 23, 8PM.     We are excited to announce the next

iotaSalon, SF (8/26/2016): “Chaos and Order”
Events What We Do 

iotaSalon, SF (8/26/2016): “Chaos and Order”

August 6, 2016 Paul Shepherd Comments Off on iotaSalon, SF (8/26/2016): “Chaos and Order”
iotaSalon, LA (4/30/2016): “EYECANDY”
Community Events Visual Music 

iotaSalon, LA (4/30/2016): “EYECANDY”

March 30, 2016 Paul Shepherd 0
iotaSalon International Animation Film Festival ANIMATOR in Poland
Events What We Do 

iotaSalon International Animation Film Festival ANIMATOR in Poland

February 12, 2015 J-Walt 0
Robert Darroll Retrospective
Community Events News What We Do 

Robert Darroll Retrospective

July 1, 2014 Paul Shepherd 0

About the iotaCenter

iota is a public benefit, non-profit arts organization founded in 1994. Our mission is to inspire both new and existing artists in a historically dispersed and constantly changing technological environment. We aim to do this by foregrounding and contextualizing historically underrepresented experimental works, enriching current scholarly and academic inquiry into the artists and works in our collection, and providing our community of patrons with a foundation with which to a) study historical work and b) create new work. In other words, the end of one work’s life cycle can inspire the beginning of another. Read More

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