Abstraction / Animation / Music

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Juan Camilo González

Community Watch 

Recent Experimental Animation from USC

May 27, 2011August 28, 2019 J-Walt 0 Comment abstract animation, animation, experimental animation, Juan Camilo González, live performance, lumia, music videos, synesthesia, university of southern california, usc, visual music, vj

“Adobe First Frame 2010” The University of Southern California’s John C. Hench Division of Animation & Digital Arts is proud

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Artists Visual Music 

Mecanismo Olvidador by Juan Camilo González

May 26, 2010June 30, 2016 J-Walt 0 Comment abstract animation, animation, experimental animation, Juan Camilo González, live performance, lumia, Mecanismo Olvidador, music videos, synesthesia, visual music, vj

  The imagery of Juan Camilo Gonzalez‘s “Mecanismo Olvidador” (Forgetter Mechanism) morphs, multiplies, & grows into a study of the

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Events

iotaSalon, LA (03/23/2017): THE BEST OF PUNTO Y RAYA FESTIVAL
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iotaSalon, LA (03/23/2017): THE BEST OF PUNTO Y RAYA FESTIVAL

March 2, 2017 Danielle Parsons Comments Off on iotaSalon, LA (03/23/2017): THE BEST OF PUNTO Y RAYA FESTIVAL

SCREENING and DISCUSSION with FESTIVAL DIRECTOR NOEL PALAZZO THURSDAY, MARCH 23, 8PM.     We are excited to announce the next

iotaSalon, SF (8/26/2016): “Chaos and Order”
Events What We Do 

iotaSalon, SF (8/26/2016): “Chaos and Order”

August 6, 2016 Paul Shepherd Comments Off on iotaSalon, SF (8/26/2016): “Chaos and Order”
iotaSalon, LA (4/30/2016): “EYECANDY”
Community Events Visual Music 

iotaSalon, LA (4/30/2016): “EYECANDY”

March 30, 2016 Paul Shepherd 0
iotaSalon International Animation Film Festival ANIMATOR in Poland
Events What We Do 

iotaSalon International Animation Film Festival ANIMATOR in Poland

February 12, 2015 J-Walt 0
Robert Darroll Retrospective
Community Events News What We Do 

Robert Darroll Retrospective

July 1, 2014 Paul Shepherd 0

About the iotaCenter

iota is a public benefit, non-profit arts organization founded in 1994. Our mission is to inspire both new and existing artists in a historically dispersed and constantly changing technological environment. We aim to do this by foregrounding and contextualizing historically underrepresented experimental works, enriching current scholarly and academic inquiry into the artists and works in our collection, and providing our community of patrons with a foundation with which to a) study historical work and b) create new work. In other words, the end of one work’s life cycle can inspire the beginning of another. Read More

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